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Last Tango in Paris

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Last Tango in Paris

, and prepare yourself for "the most controversial film of its era" (Leonard Maltin). Nominated* for two Academy Awards(r)Director (Bernardo Bertolucci) and Actor (Marlon Brando)and exuding a sexual energy unlike any film before or after, this is the scintillating classic that shocked a nation...and "altered the face of an art form" (Pauline Kael). He (Brando) is a 45-year old American living in Paris, haunted by his wife's suicide. She (Maria Schneider, Jane Eyre) is a 20-year-old Parisian beauty engaged to a young filmmaker. Though nameless to each other, these tortured souls come together to satisfy their sexual cravings in an apartment as bare as their dark, tragic lives. Caught up in the frenzied beat of a carnal dance they cannot seem to stop, these unlikely lovers take their passion to erotic heightsand depthsbeyond anything they could ever have imagined.Bernardo Bertolucci's controversial 1973 film stars Marlon Brando as an expatriate American in Paris reeling from his wife's suicide and entering into a nihilistic sexual relationship with a young woman (Maria Schneider). The film is still shocking, not simply because of its (sometime unconventional) sexual sequences, but because Brando's protagonist needs his liaison with Schneider's character to remain anonymous, an experience not to be shared but indulged on either end. Bertolucci is also operating on subtext here: in a way, Brando's nonengaging engagement is a metaphor for a certain attitude toward directing movies. Jean-Pierre LÃ©aud costars, but the film is more than anything a vehicle for a great performance by Brando. --Tom KeoghBernardo Bertolucci's controversial 1973 film stars MarlonBrando as an expatriate American in Paris reeling from his wife's suicide and entering into a nihilistic sexual relationship with a young woman (Maria Schneider). The film is still shocking, not simply because of its (sometime unconventional) sexual sequences, but because Brando's protagonist needs his liaison with Schneider's character to remain anonymous, an experience not to be shared but indulged on either end. Bertolucci is also operating on subtext here: in a way, Brando's nonengaging engagement is a metaphor for a certain attitude toward directing movies. Jean-Pierre LÃ©aud costars, but the film is more than anything a vehicle for a great performance by Brando. --Tom Keogh

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The Paris Review Book: of Heartbreak, Madness, Sex, Love, Betrayal, Outsiders, Intoxication, War, Whimsy, Horrors, God, Death, Dinner, Baseball, ... and Everything Else in the World Since 1953

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For a half-century, The Paris Review has published writing and interviews from the world's most brilliant authors. To commemorate the anniversary, a breathtakingly diverse and illuminating anthology has been assembled. The greatest writers here write and speak upon the greatest subjects of our time:
*Lorrie Moore and Raymond Carver on "Heartbreak"
*Vladimir Nabokov on SEX
*Kurt Vonnegut and Susan Sontag on "War"
*Jonathan Franzen on "Betrayal"
*Jeffrey Eugenides and Norman Mailer on "Death"
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Friday, July 1, 2011

Last Tango in Paris

Last Tango in Paris

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